The Beatles Never Existed


A Journey of Multiples

The Making of the Beatles: Rare Documentary

This is where to discuss why the Beatles were brought to world-level center stage, and for what purposes they were utilized. Also for general discussion on the effects of rock 'n roll music.

The Making of the Beatles: Rare Documentary

Postby Silversong » Tue Sep 09, 2014 12:49 am

The narrator says it's the "unauthorized, unofficial account of the biggest band in the world, ever. Told to eyewitness interviews with friends, colleagues, experts and fans, using rare and unseen home movies, personal photographs, private memorabilia, and recently rediscovered film." One of the people interviewed says John was a 'local delinquent'. They claim George Martin said Pete Best wasn't good enough to be in the Beatles, and that's why he was out, and Ringo was in.

Funny how a lot of the background music isn't even them playing, yet they were supposed to have been the 'best EVER'.

QUOTE:
"This is the discovery of four people in an extradordinary situation... the Beatles: They came, they played, they recorded, they changed the face of pop culture, and they conquered the planet. And they did it all in the space of ten short years.... True stories told by the people who were really there..."



The making of the Quarrymen and the Bealtes - 50s and early 60s.

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At the end it says: "What was unusual about the Beatles is that they were so good at doing so many things. They were so flexible, they showed such willingness to learn, to mature as a group... they transcended the music with which they came into the public consciousness..."

Thanks goes to Stargods for sending this. Will there ever be a full documentary with all the missing information?
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Re: The Making of the Beatles: Rare Documentary

Postby Silversong » Tue Sep 09, 2014 12:51 am

Here's a similar video. I think the cartoon of "Tell Me What You See" showed us more LITERAL truth about the "making of the Beatles" than either of these films.

Like in the cartoon, they take us to the laboratory and show us how they were manufactured/fabricated.

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Re: The Making of the Beatles: Rare Documentary

Postby Silversong » Tue Sep 09, 2014 12:52 am

The Satanic Roots of Rock Music - and - Creating the Beatles

Part 1: Satanic Roots

Today, at almost any "heavy-metal'' rock concert one can hear the audience being exhorted to rape and murder in the name of Satan. Lyrics such as the following are typical:

"We come bursting through your bodies
Rape your helpless soul
Transform you into a creature
Merciless and cold
We force you to kill your brother
Eat his blood and brain
Shredding flesh and sucking bone
Till everyone's insane
We are pestilent and contaminate
The world Demonic legions prevail"
"DEMONS" by Rigor Mortis

Any loving parent today would be horrified and shocked to learn that their sons and daughters are eagerly listening to such evil. Perhaps though, some may think privately, "If only we could return to the 'good old days,' with the music of the Beatles." Little do most people suspect that it was with those innocent-looking Beatles, that most of the trouble started.

Modern electronic-rock music, inaugurated in the early 1960s, is, and always has been, a joint enterprise of British military intelligence and Satanic cults. On the one side, the Satanists control the major rock groups through drugs, sex, threats of violence, and even murder. On the other side, publicity, tours, and recordings are financed by record companies connected to British military intelligence circles. Both sides are intimately entwined with the biggest business in the world, the international drug trade.

The so-called "rock stars" are pathetic puppets caught in a much larger scheme. From the moment they receive their first recording royalties, the groups are heavily immersed in drugs. For example, much-admired "stars'' such as John Lennon of the Beatles and Keith Richard of the Rolling Stones, were heroin addicts. Richards had to obtain blood transfusions, replacing his entire heroin-laced blood supply, in order to get a visa to enter the United States. (Tony Sanchez, Up and Down WIth the Rolling Stones, p.319)

The "rock stars" are also totally artificial media creations. Their public image, as well as their music, is fabricated from behind the scenes by controllers. For example, when the Beatles first arrived in the United States in 1964, they were mobbed at the airport by hundreds of screaming teenage girls. The national press immediately announced that "Beatlemania" had besieged the U.S.A. But the girls had all been transported from a girl's school in the Bronx, and paid for their screaming performance by the Beatles' promoters.

The money of the 1960s rock groups, which in somes cases mounted to hundreds of millions of dollars, was also totally under the control of mob-connected promoters. From 1963 to 1970, the Rolling Stones made over $200 million, yet the group's members were all nearly bankrupt. None of them had any idea of where their money went.

Between 1963 and 1964 the Beatles and the Rolling Stones laid siege to Western European and American culture. This two-pronged invasion from England was well-planned and well-timed. America had just suffered the shock of the assassination of President John Kennedy, while in the streets the mass-based civil rights movement had just held a Washington, D.C. rally, led by Martin Luther King, of 500,000 people. The rock counterculture would be used as a weapon to destroy such political movements.

http://www.av1611.org/othpubls/roots.html
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