The Beatles Never Existed


A Journey of Multiples

Demons in the Music

This is where to discuss why the Beatles were brought to world-level center stage, and for what purposes they were utilized. Also for general discussion on the effects of rock 'n roll music.

Demons in the Music

Postby Silversong » Wed Sep 17, 2014 5:56 am

Just think, it all started with the Beatles.

Hell's Bells - The Dangers of Rock 'n Roll

It's not just the artists who are being affected by this spirit of violence and death. The rock 'n' roll era has seen violent crime increase among young people by over 10,000%. Concert violence has become epidemic, culminating in a "Who" concert in Cincinnati where 11 people were trampled to death as crowds rushed the doors. Even the way many listeners relate to the music, shouting with fists punching the air, or crashing into one another in that paroxysm of aggression called "slam dancing", bear witness to the spirit of this world operating beneath the surface.

However, it is in the incredible arena of bizarre murders, ritualistic violence, and self-mutilation that the reality of satanic influence can be most clearly discerned. The last few decades have seen the appearance of some of the most twisted and violent acts imaginable. The primary things that link these senseless acts together is an obsession with rock music and a similarity to ancient satanic ritual.

Beginning with the most benign, the punk music revolution made self-mutilation a pop phenomenon. It became quite common to see young people stick safety pins through various parts of their body, or carve slogans into themselves with razor blades. Superficial bloodletting at concerts became a badge of the vacuousness, anarchy, and existential madness that was the clarion call of the movement. It was not uncommon to see artists like Sid Vicious or proto-punk Iggy Pop drag broken beer bottles or razor blades across their chests while on stage. Even heavy metal rocker Alice Cooper, in his typical Hollywood fashion, has gotten into the act.

Moving on to even more serious acts of violence, self-mutilation has graduated in the last decade to murder and human sacrifice. Here are a few examples of a growing phenomenon that many law enforcement officials believe might already be epidemic:

*On April 12, 1985, a 14-year-old metal-head killed three people. An Iron Maiden freak whose involvement with the occult led him to carve 666 into his chest, the boy claimed to have been under the influence of Eddie, Iron Maiden's mascot, when he committed the murders. (The Toronto Sun, November 1, 1985)

*The now infamous California mass murderer, Richard Ramirez, the "Night Stalker", was reportedly led into his obsession with the occult and ritual murder through groups like AC/DC. A school mate reported that it was their song "Night Prowler" that particularly seemed to affect Ramirez. On the record cover for Highway to Hell, the album in which "Night Prowler" appears, the singer of the song wears a pentagram around his neck. The most common of satanic symbols, it became Ramirez' calling card, appearing on the walls of his victim's homes and sometimes on the victim himself.

*1987 saw the capture of the serial murderer, occultist, and apparent cannibal Gary Heidnik. Time magazine noted that from his house in Philadelphia where the crimes were committed, heavy metal music blared day and night. (Time, April 6, 1987, p. 34)

The Doors. Voice of Jim Morrison. Background song.. ˜Theres a Killer on the road".

I don't know how to tell you, but, uh, I killed somebody. No! It's no big deal you know. I don't think anybody will find out about it. Just....uh...I don't know. This guy gave me a ride, started giving me a lot of trouble and I couldn't take it man. I wasted him."

Most people familiar with the case agreed no one of Tommy's age and background could have committed this perverted and violent of a crime without something to help him; yet neither alcohol nor drugs played a part. What then could it have been? The only real clues were found in Tommy's room and notebook. During the previous year he had become involved in the occult. And the vehicle for his satanic initiation heavy metal rock 'n' roll.

Some would say, "So what, it's all just in fun, nobody is supposed to take the message seriously." Well that sentiment completely ignores both the nature of man and the power of music. As Ken Wooden, investigative journalist and reporter with ABC's 20/20 has said, "Why do we spend billions on advertising? Because people answer the ads. This type of music is a form of advertising. And I've seen kids who have responded to the ads. I've seen them dead on marble slabs." (Richmond Times-Dispatch, June

Another way people are answering the ads in rock music is through suicide. Now the second biggest killer of young people in the west, surveys have found that as many as one in seven teenagers have tried to kill themselves. Again, there are other factors contributing to this tragedy, but clearly rock 'n' roll has played a major part. (Music Metallica's "Fade to Black")

"Life it seems will fade away.
Drifting further every day.
Getting lost withing myself
Nothing matters, no one else.
I have lost the will to live
Simply nothing more to give
There is nothing more for me
Need the end to set me free."

Suicide is perhaps the ultimate satanic deception because it must effectively short-circuit a primary human instinct self-preservation. To accomplish this some basic truths have to be destroyed and replaced with lies.

The most foundational truth is that life has a transcendent purpose to know and experience God (light, love, truth, beauty). We've already seen how rock has either ignored or ridiculed this truth. In place of it, the satanic lie is that life is fundamentally pointless, that at best our existence is given meaning by the pleasures we enjoy. One would be hard-pressed to find a secular rock artist who does not at least tip their hat to this demonic philosophy; most bow their knee and worship. (MTV's "Hedonism Weekend" with Bon Jovi)

"Do anything, no matter how excessive."

It's worth noting here how the scriptures characterize the generation caught in the throes of end-time apostasy, "In the last days, men will be lovers of self, lovers of pleasure rather than lovers of God." (1 Tim. 3:2-4)

The next step in getting people to kill themselves is to remove human suffering from the context of transcendent meaning. The truth needing to be destroyed here is that suffering is either symptomatic of spiritual disease, thereby leading one to God, or is a temporary trial permitted by God in order to perfect one's character. The fact is, life is full of trials for everybody maturity and greatness come from triumphing over them. Against this, Satan's deception is that if life is found in pleasure then the absence of pleasure is to be avoided at all costs. If the pain becomes too great, killing oneself can be the logical way out. .....

Another self-destructive and occult related activity that has been popularized by rock music is drug abuse. It is stating the obvious to say that drugs are everywhere in rock from the ravaged bodies of the stars to the lyrics of their songs. The Beastie Boys best selling album "Licensed to Ill", for example, contains over 90 references to drugs and alcohol abuse. (Rising to the Challenge, Vision Video, 1988 P.M.R.C., research by Robert DeMoss, Jr.)

What is not as well known, however, is drugs connection to the spiritual realm. Psychotropic or mind-altering substances are viewed by sorcerers and others involved in he occult as a gateway, or guide, into the spirit world. The Greek word in the scriptures for "sorcery" in fact, is "pharmakia", from whence we get our words "pharmacy" or "pharmaceuticals" in other words, drugs.

This trend-setting song by the Beatles was originally entitled "The Void." Its purpose was to proclaim the gospel of enlightenment through drugs while simulating the sensory effects of LSD. The first line of the song was taken directly from the bible of the acid cult, Tim Leary's "The Psychedelic Experience."

"Turn off your mind, relax and float downstream
It is not dying, it is not dying
Lay down all thought, Surrender to the void
It is shining, it is shining."

Ex-Beatle George Harrison explains the origins of his Krishna consciousness, "When I was younger, with the after-effects of the LSD that opened something up inside of me in 1966, a flood of other thoughts came into my head which led me to the yogis." (Rolling Stone, November 5, 1987)

Likewise, a rock magazine described the Cure's Robert Smith's creative process as follows: "He often comes up with his most macabre ideas for songs in the nightmares he experiences while sleeping off alcoholic binges. The entire album "The Head on the Door" was written under those conditions." (Starhits, October, 1988)

Over the years, the Grateful Dead have become almost synonymous with marijuana and LSD use. A national newspaper described the uncanny fascination they inspire in their devoted fans, "For many of the camp followers, the Dead are a religion and their lyrics a Bible. It is generally accepted that the Dead are tapped into some profound LSD inspired truth. Not surprisingly, some hallucinating Deadheads have weaved weird and elaborate theories about God and the Universe from strands of Grateful Dead lyrics." (The Washington Times, Concert 1986, Souvenir Edition)

It's not surprising because the Dead themselves have acknowledged this drug-induced transcendence. As Captain Trip's, Jerry Garcia, said in their biography "Playing in the Band", "I can't deny that there is a moment when I'm transformed, when all of a sudden God is speaking through my strings." (Playing in the Band, David Gans and Peter Simon)

As many rock artists like Garcia have entered middle age, they've had to break their addictions to drugs in order to survive. A few have recorded testimonials for RAD, Rock Against Drugs. A classic case of too little, too late, for most their warning cries sound hollow.
How can you be against something that your philosophy and lifestyle give rise to. For example, Bon Jovi has done a spot for RAD while maintaining their hedonistic message. And their powerful hit video "Wanted Dead or Alive" contains a not-so-subtle endorsement for the most abused drug of all, alcohol.

Ultimately, comedian and rock devotee Sam Kennison's criticism of Rock Against Drugs says it all, "It's like Christians against Christ, rock created drugs."

Popular music video director Marty Callner, whose pornography style landed him in the LA Times' "Hall of Shame", defended his use of erotic imagery by noting the nature of his subject matter "Sex is what rock 'n' roll is all about." (L.A. Times, January 24, 1988)

From the hip shaking of Elvis the Pelvis in the 60's to the perversity of the 80's, truly sex is what rock 'n' roll is about. Even the term rock 'n' roll, coined by Cleveland disk jockey Alan Freed, is a euphemism for sex in the back seat of a car. And the sex heralded by the rock industry is not the mature and unselfish kind mandated by God, but the satanic alternative impulsive, carnal, and ultimately destructive. As Dr. Alan Bloom said in The Closing of the American Mind, "Rock music has one appeal, a barbaric appeal, to sexual desire not love, but sexual desire undeveloped and untutored. It acknowledges the first emanations of children's emerging sensuality and addresses them seriously, eliciting them and legitimizing them,..." (The Closing of the American Mind, p. 73)

Dr. Bloom makes an important point here. Moral sanity is not anti-sex, but anti-exploitation.

One of Marilyn Manson's t-shirts reads in large red letters — KILL GOD, KILL YOUR MOM & DAD, KILL YOURSELF. In smaller, harder-to-read letters, the shirt reads:

"Warning, the music of Marilyn Manson contains messages that will KILL GOD In your impressionable teenage mind, as a result you could be convinced to KILL YOUR MOM & DAD, And eventually in an act of hopeless Rock and Roll behavior you will KILL YOURSELF. Please burn your records while there is still hope".
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Re: Demons in the Music

Postby Silversong » Wed Sep 17, 2014 5:58 am

PID and PIA are helping perpetrate the continuation of this crime on those of us who finally see it for what it is. TPTB knew exactly how to poison the youtful minds of the 60s and 70s into thinking "it's whatever you make of it", or "it's all good, man", and those same youth who are now grandparents still don't know the following:

John Todd: An ex-Illuminati explains how witches write rock music by channeling demons, and that no one can be a rock singer unless they become a confirmed, initiated witch. Spells and curses are cast upon all records before they're released.

“Rock music is not just a song; it is supernatural music that witches carefully design by their spirit guides – familiar spirits – in the form of spells... they conjure demons into the master (copy).... after it’s been recorded, – this is why it’s recorded about a month before it’s released - it’s taken into a temple room on the full moon.... the main reason for rock music is to place spells on people that couldn’t be reached otherwise... much of the songs are written in what we call 'witch language'..... when you’re in the first or second witch’s level, you have to learn over 2,000 (code) words (placed into the songs) that if said by anybody else, wouldn’t mean what you mean when you say them.... Elton John said he’s never written or sung a song that wasn’t in witch language....

"David Crosby, when he and Crosby, Stills, Nash and Young produced the record 2-Way Street, they ordered the principality of the deep, and ordered demons of rebellion to go into the records, **and everybody that heard it would be rebellious against law and order and government. One of the greatest reasons for the great upheaval in the 60s was that one album, and they take open credit for it." *Note: 2-Way Street was released in 1971.



**Just what TPTB wanted, so they could slowly and methodically begin to remove our freedoms "for our safety".

The Beatles were never our friends, but was it their fault?
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Re: Demons in the Music

Postby Silversong » Wed Sep 17, 2014 6:05 am



One of several things that bothers me about rock music is that they all have to be initiated witches, and they all must use "witch language" in their songs. The beat related to rock music comes from the lower spirit realms/ lower consciousness.

Ex-Illuminist John Todd says witches write rock music by channeling demons, and no one can be a rock singer unless they become a confirmed, initiated witch. Spells and curses are cast upon all records before they're released.

“Rock music is not just a song; it is supernatural music that witches carefully design by their spirit guides – familiar spirits – in the form of spells... they conjure demons into the master (copy).... after it’s been recorded, – this is why it’s recorded about a month before it’s released - it’s taken into a temple room on the full moon.... the main reason for rock music is to place spells on people that couldn’t be reached otherwise... much of the songs are written in what we call 'witch language'..... when you’re in the first or second witch’s level, you have to learn over 2,000 (code) words (placed into the songs) that if said by anybody else, wouldn’t mean what you mean when you say them.... Elton John said he’s never written or sung a song that wasn’t in witch language....[/quote]

This is from the Indian in the Machine website, where he exposes all the cloned presidents and celebrities, but thinks Paul McCartney was killed and replaced with a look-alike. He's still getting it right about the celebrities (except for Paul McCartney):

IS ELTON JOHN A WITCH CASTING SPELLS WITH CATCHY MUSIC? HE WAS KNIGHTED BY BLOOD QUEEN

Is Rock music an outgrowth of Witchcraft? You can’t practice Witchcraft without it!!!! Most of the rock groups are members of a Witchcraft Church, that’s their religion, & when they do a song they’ll ask the Witch coven or the temple to cast a spell over that song so that it will become a hit & sell.

When a witch casts a spell they order demons to do things. When you buy an album it’s you who gets a free surprise …..it’s called a demon! It goes along with the record. Much of the music is written in Witch language by witches. Elton John has made the statement that he has never written or sung a song that was not in Witch language.

“Beyond the Yellow Brick Road” is 100% Witch language. That’s why many songs, you don’t understand. That’s why many people who listen to them don’t understand until they get high on drugs & then all of a sudden the meanings start coming to them.

Many songs have been written in Witch language such as the whole album by Carol King called “Tapestry”. The book of prophecy to witches is the double White Album that the Beatles produced containing the song “Helter Skelter”. Every song in it is prophesy. Oh let’s see…”Horse With No Name”, “One Tin Soldier”, I could list thousands of songs that were written this way. They definitely have demonic influence behind them.

Have you noticed the increase of rebellion in teenagers in your home? It’s your fault , you let them listen to it. It stirs up rebellion. It’s not the words in the song, it’s the music. Witches know it, they hit certain chords on purpose.

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In the autumn of 1978, John Todd said this in a talk to a church congregation:

"Phillip Rothschild ordered one of his mistresses to write an 1100-page book that would describe to all witches how they would take control of the World through the Illuminati: It's called Atlas Shrugged (By Ayn Rand). One of the things in it is happening on the front pages of newspapers across the United States right now. In fact she spent a third of the book describing how they would raise the oil prices and then later destroy the oil fields & then they would also completely shut down the coal.

"IT ALSO DESCRIBED HOW THEY WOULD BLOW UP GRAIN MILLS, and how they would derail trains. Their sole purpose is to bankrupt their own companies and destroy their own companies until they destroy the currency of the whole World, and still be so financially strong they would withstand it!...

"LET ME QUICKLY REMIND YOU, NO WITCHES WERE EXECUTED IN SALEM. There will be a book coming out shortly on this from Chick Publications. Except for one prostitute, everybody executed in Salem were Christians, and they were tried and convicted by a jury and by a pastor who was not a pastor but a slave trader hired by the Collins. The church was built by the Collins and the jury were all members of the Collins’ church. Needles to say, they weren’t Christians, they were Witches. We went back there and researched it!

"...I WOULD LIKE TO ADD THIS BEFORE I GO ON, WHEN THE SERVICE IS OVER I WOULD BE GLAD TO TALK WITH ANY MASONS PRESENT, and I will compare my initiation to Witchcraft word for word, action for action, with yours. They are identical without change, and I’ll be glad to discuss the matter with you."

Source:
http://indianinthemachine.wordpress.com ... ood-queen/
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Re: Demons in the Music

Postby Silversong » Wed Sep 17, 2014 6:08 am


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Re: Demons in the Music

Postby Silversong » Wed Sep 17, 2014 6:10 am

On a Yahoo Answers page, someone asked for:
Songs about murderers (e.g. serial killers), rapists and psychopaths?

One of the answers was Maxwell's Silver Hammer by the Beatles.


(Comment): can someone explain to me how abbey road was recored last yet released before let it be??? I've never really understood the whole abbey road, let it be timeline.

(Comment): Yeah. And this clip is from the Let it Be film because they rehearsed it during the Let it Be sessions. Just saying.
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Re: Demons in the Music

Postby Silversong » Wed Sep 17, 2014 6:15 am

PID and PIA are helping perpetrate the continuation of this crime on those of us who finally see it for what it is. TPTB knew exactly how to poison the youtful minds of the 60s and 70s into thinking "it's whatever you make of it", or "it's all good, man", and those same youth who are now grandparents still don't know the following:

John Todd: An ex-Illuminati explains how witches write rock music by channeling demons, and that no one can be a rock singer unless they become a confirmed, initiated witch. Spells and curses are cast upon all records before they're released.

“Rock music is not just a song; it is supernatural music that witches carefully design by their spirit guides – familiar spirits – in the form of spells... they conjure demons into the master (copy).... after it’s been recorded, – this is why it’s recorded about a month before it’s released - it’s taken into a temple room on the full moon.... the main reason for rock music is to place spells on people that couldn’t be reached otherwise... much of the songs are written in what we call 'witch language'..... when you’re in the first or second witch’s level, you have to learn over 2,000 (code) words (placed into the songs) that if said by anybody else, wouldn’t mean what you mean when you say them.... Elton John said he’s never written or sung a song that wasn’t in witch language....

In this video they talk about how deeply satanic all of the entertainment industry has become, and it's much more awful than I ever imagined. He says every rock star, actor, model, musician, producer, beat maker, et al, has a Satanic Bible in their home, and before they practice, they turn off the lights and chant to the devil. He says "Easy-E" says the Lord's Prayer backwards, something Crowley would be very proud to know. When they're finished with their "prayer time", they put the lights back on and come up with some 'outstanding hooks'.

This is from a commercial, but if it was for real, everyone would be wearing hoods. The girl in the commercial is actually letting the world know she has given her soul over.

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Yikes, enjoy the expanded knowledge (I guess).
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Re: Demons in the Music

Postby Silversong » Wed Sep 17, 2014 6:29 am

If this were my video, I would present it differently than this narrator has. I don't believe in the position that "My religion is right, and everyone else's is wrong", but I do agree that the Beatles' handlers had an ulterior motive in having them bring a Westernized version of Eastern mysticism back to America after their trip to see the Indian Yogi.

One thing I see in their having done this is: we already knew Christianity didn't include or involve drugs and promiscuity, so they snuck that into Eastern philosophy and sold it to us as "Enlightenment".



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"John Lennon became so enamored with Leary's thought and practice, he used his translation of the Tibetan Book of the Dead in the 1966 release, Tomorrow Never Knows."

"This trend-setting song by the Beatles was originally titled The Void. It's purpose was to proclaim the Gospel of Enlightenment through drugs, while simulating the sensory effects of LSD. The first line of the song was taken directly from the Bible of the Acid Cult. Timothy Leary's The Psychedelic Experience..."
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"Observing the impact of both this song and, a year later, the groundbreaking Sgt. Pepper's Lonely Hearts Club Band album, Leary once again extolled the power of music to effect social change by sparking a form of religious awakening."
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"First", Leary said, "you start with rock 'n roll, then you add psychedelic drugs."
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Re: Demons in the Music

Postby Silversong » Tue Jan 13, 2015 3:09 am

“Music directly represents the passions of the soul. If one listens to the wrong kind of music, he will become the wrong kind of person.” ~Aristotle


The Agenda to Promote the Dark Side – The Music Industry Exposed

It’s no secret that the music industry has a huge impact on the direction of our culture. When the industry’s biggest stars are “obsessed” with the macabre, and their performances and music videos promote evil acts, demon possession and darkness, what kind of culture will be created? Will spiritual values survive in a world where darkness is increasingly embraced and glorified?

http://www.wakingtimes.com/2015/01/08/t ... dark-side/
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Re: Demons in the Music

Postby Silversong » Mon Jan 19, 2015 6:18 am

Demonic Hypnotic Control Through Music


The Beatles were the creation of Tavistock (by simulacra?). You only have to go back to the writings of Aristotle:

"Emotions of any kind are produced by melody and rhythm. Therefore by music a man becomes accustomed to feeling the right emotions. Music has the power to form character, and the various kinds of music based on the various notes may be distinguished by their effects on character. One for example, working in the direction of melancholy, another of effeminacy; one encouraging abandonment, another self control, another enthusiasm, and so on through the series."

Plato:
"When modes of music change, the fundamental laws of the state always change with them (for) this spiritual license, finding a home, imperceptibly penetrates into manners and customs; whence, issuing with greater force, it invades contracts between man and man, and from contracts goes on to laws and constitutions, in utter recklessness, ending at last, by an overthrow of all rights, private as well as public."
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Re: Demons in the Music

Postby Silversong » Tue Jan 20, 2015 5:58 am

This is an older recording, but the information is still very pertinent.

@3:06 John Todd whose former Illuminati family name was Lance Collins -- and was reportedly the great-grandson of Mary Todd, wife of Abraham Lincoln -- says: "Right now one of the Manson family girls is on trial, and she said the number one thing the occult world used to brainwash them was Beatle music, and rock music. (Speaking to parents, he says): If you want to leave it in your home, and all the demons it attracts, fine... but I recommend you go home today, get a cardboard box, and burn those records and covers, and get it out of your home... I wish I had more time to speak about rock music, but believe me, it is carefully planned out in the occult world. They paid 8 million dollars for Jesus rock music to the man who started it, named Chuck Smith (pastor of Calvary Chapel at the time)... Hard-core rock is even worse..."

"...I can't think of the name right now, but one of the top rock groups still in existence that's been around for a long time... they told how when they would play in their concerts, they would control the witchcraft spells in their mind to get the people to do different things in the audience. They would work the audience up, not with their music, but with their mind and music combination."
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After John Todd had been gone for 5 years from the Illuminati, he asked his close friend David Crosby if they still take the master recordings up to the temple room. "Do they still have the coven conjure demons into the master?" He said, "Of course!". Todd says, "Now, I gotta know something, what's the main reason for rock music?"..."The same reason as when you were in: so we can place spells on people that we that we couldn't (otherwise) cast spells upon.... you must be an initiated witch in order to get a music contract; many of us have to be total witches now in order to produce music."
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He continues on to give a detailed description of how this conjuring and spell-casting is performed @7 minutes. He uses the terms "principality or power" and "demons of rebellion" for whom they conjure up, and the effect it has on all who own these records and/ or listen to this music.
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Later on he explains that the "lower witches" believe power is derived by orgies and sex, while the "higher witches" believe it's derived by blood sacrifice.
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