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Re: Sorting Out the Lennon Multiples

PostPosted: Wed Jul 01, 2015 7:04 am
by Silversong
Silversong wrote:I came upon this animated picture of John today. Notice anything as he sings the word "fine"?

Here is where I see something extremely weird. Some people think it's a retainer, but what if it's whatever they were adjusting in Paul's mouth? Doesn't a retainer have a metal piece on the front of the teeth, and why would it clamp down against the tongue in the back? Wouldn't the person be gagging all the time?

I've found a video where we can watch this happen all throughout the song.

Here are some examples:

And Paul with a fake ear.

Re: Sorting Out the Lennon Multiples

PostPosted: Thu Jul 02, 2015 6:34 am
by Silversong
Silversong wrote:And Paul with a fake ear.

What does anyone suppose that is at the edge of his sideburn? Some sort of tab, but wig tabs aren't made to be conspicuous like that.

And once again, a very poor excuse for a fake ear.

Re: Sorting Out the Lennon Multiples

PostPosted: Sun Jul 05, 2015 12:39 am
by Silversong
The dark occultists are at least 50 years ahead of what the public knows. They are now letting us see pictures like this, and of course, have been telling us of their intentions to replace all humans with cyborgs. Perhaps some of the Beatle units were already such? (As is evidenced on just this page alone.)

From this video, which is more directly related to the topic of this thread than we might imagine:

Re: Sorting Out the Lennon Multiples

PostPosted: Sun Jul 05, 2015 3:56 pm
by bandi
Yes, thank you Silversong, that's the pic I was talking about. His teeth look totally different than any I've ever seen before.

In the vid where the guy is trying to do something to Paul's mouth, it looks like he tries to put something in Pauls mouth but he never actually touches him. Paul pulls back at the last second. I stopped the vid and slowly moved it forward and I see he never actually touches his mouth, at least that's what I see.

Re: Sorting Out the Lennon Multiples

PostPosted: Sun Jul 05, 2015 6:26 pm
by Silversong
They don't show what happens. The camera cuts away to the drums during that, so we'll probably never know if he touches Paul or not, but he sure is focusing on the mouth, and Paul seems to grimace as if tasting something bitter. Whatever is happening, it sure is strange.

Re: Sorting Out the Lennon Multiples

PostPosted: Mon Jul 06, 2015 12:54 am
by Silversong
There seems to be no end of pictures like this all over the place now, but for how long have they had this capability?


From this video:

Re: Sorting Out the Lennon Multiples

PostPosted: Sat Aug 01, 2015 6:52 am
by cmsahe
Silversong wrote:How about being a conehead for Halloween..
Here are some pictures of Paul McCartney with Mr. SNL Conehead himself:
Image...e of the correct alien group who has invaded and infiltrated humanity.

Now google their respective heights (Paul 1.80 and Dan Aykroyd 1.85meters) this Paul is short

Re: Sorting Out the Lennon Multiples

PostPosted: Sun Aug 02, 2015 10:58 pm
by Silversong
Thanks for noticing that, Carlos, and calling it to our attention, Yes indeed, a really short Paul like in early 1963.

Re: Sorting Out the Lennon Multiples

PostPosted: Sun Nov 22, 2015 7:44 am
by bandi
The photo of the Lennon model singing "twist so fine" with the shiny thing in the back of the mouth is still bothering me.
Something rings out that this is not human. There are many other photos that I've seen of the others with this same phenomena going on. I can remember one of Ringo, where his mouth is open and right there in the same spot as this Lennon model, Ringo has the same thing happening.
Is it possible that they had non-human models or versions of these guys that could go out on a stage in front of other people and either lip synch or really sing to an audience ? I believe they have such and I think they've been using it on us since the beginning of time.
This topic reminds me of something. I'm going to post it here now.

From the Emerald Tablets, tablet #8--THE KEY OF MYSTERY:

... Far in the past before Atlantis existed,
men there were who delved into darkness,
using dark magic, calling up beings
from the great deep below us.
Forth came they into this cycle.
Formless were they of another vibration,
existing unseen by the children of earth-men.
Only through blood could they have formed being.
Only through man could they live in the world.

In ages past were they conquered by Masters,
driven below to the place whence they came.
But some there were who remained,
hidden in spaces and planes unknown to man.
Lived they in Atlantis as shadows,
but at times they appeared among men.
Aye, when the blood was offered,
for they came they to dwell among men.

In the form of man they amongst us,
but only to sight were they as are men.
Serpent-headed when the glamour was lifted
but appearing to man as men among men.
Crept they into the Councils,
taking forms that were like unto men.
Slaying by their arts
the chiefs of the kingdoms,
taking their form and ruling o'er man.
Only by magic could they be discovered.
Only by sound could their faces be seen.
Sought they from the Kingdom of shadows
to destroy man and rule in his place.

But, know ye, the Masters were mighty in magic,
able to lift the Veil from the face of the serpent,
able to send him back to his place.
Came they to man and taught him the secret,
the WORD that only a man can pronounce.
Swift then they lifted the Veil from the serpent
and cast him forth from the place among men.

Yet, beware, the serpent still liveth
in a place that is open at times to the world.
Unseen they walk among thee
in places where the rites have been said.
Again as time passes onward
shall they take the semblance of men.

Called may they be by the master
who knows the white or the black,
but only the white master may control
and bind them while in the flesh.

Seek not the kingdom of shadows,
for evil will surely appear.
For only the master of brightness
shall conquer the shadow of fear.

Know ye, O my brother,
that fear is an obstacle great.
Be master of all in the brightness,
the shadow will soon disappear.
Hear ye and heed my wisdom,
the voice of LIGHT is clear.
Seek not the valley of shadow,
and LIGHT will only appear.

List ye, O man,
to the depth of my wisdom.
Speak I of knowledge hidden from man.
Far have I been
on my journey through SPACE-TIME,
even to the end of space of this cycle.
Aye, glimpsed the HOUNDS of the Barrier,
lying in wait for he who would pass them.
In that space where time exists not,
faintly I sensed the guardians of cycles.
Move they only through angles.
Free are they not of the curved dimensions.

Strange and terrible
are the HOUNDS of the Barrier.
Follow they consciousness to the limits of space.
Think not to escape by entering your body,
for follow they fast the Soul through angles.
Only the circle will give ye protection,
save from the claws

I have read the tablets and I make no claims either way whether they are real, fake, misguiding intentionally or not. I just feel that there is a lot to 'digest' when reading these. As if, one should study each tablet for quite some time and not just read it like it was a novel or a magazine. I feel there are truths being told, especially here in number eight, where these beings are called from the depths and when blood is offered, take the form of man. I think this may have taken place with these guys. I'm not saying there weren't many clones of each and that we were allowed to see many versions of each member of the group. I just think this particular tablet is somehow related to what we're doing here, which I think is trying to get to the bottom of what was going on and what is still happening. The excerpt above is not the whole text of number eight. Further along he talks about 'THE HOUNDS OF THE BARRIER' and how we are to get past them somehow, how they travel only in angles and how we must not travel in angles unless we get devoured--or our souls will be trapped forever. I think I relate this to what we've been shown many times in literature and in movies, where a young man (a prince or a knight) has to slay something (a dragon perhaps?) to get to another place or a certain destination. In number eight there is also mention made about moving thru 'angles'. There is only one other mention that I've seen about 'angles' and that was by the man whose videos you (Silversong) posted a link to some time ago. The man--whose name I cannot recall--gave excellent lectures about the third eye and how he relates a lot of the bible's teaching to the different parts of the brain that one must go thru to reach the third eye and allow the snake to uncoil (kundalini).

Re: Sorting Out the Lennon Multiples

PostPosted: Mon Nov 23, 2015 7:30 am
by Silversong
Bandi, there's a lot of good stuff in that writing, but what stuck out to me the most of the section you posted is this:
Called may they be by the master
who knows the white or the black,
but only the white master may control
and bind them while in the flesh.

This reminds me of all the information going around right now about "White Genocide", and the reason for such a genocide being that those perpetrating this upon us are the ones we, in the past, have been able to overcome and defeat. They don't want to be defeated any longer.

I'm somewhat familiar with the Emerald Tablets, though it sounds like you've spent more time delving into them. Please continue to post anything you think is relevant to the discussion.

The weird John with the metal in the back of his mouth cannot be human, IME, because if he were, he would be choking and gagging on that bar. What he actually is, I do not know exactly, so we have called them "clones" as sort of a placeholder until we do know for sure. Strange as it may seem, I was just thinking about this ghastly picture again yesterday. As we've read in different places, there are a number of different types of clones and synthetic humans, and there are also theories about "Jupiter Beings", as posted on this thread:

I've done some more reading on this Cult of Isis connection to the Beatles music, and the possibility they could be these "Jupiter Beings".

The Cult of Isis: Mother of All Satanic Cults

A major aspect of this cult, the so-called Dionysian aspect, involved the use of hallucinogenic drugs, alcohol and music with a hypnotic beat like much of today's pop "music". This was originally intended to stimulate the unthinking clairvoyant mode of consciousness, which allowed mankind to commune with the spirit world ("visitation of the gods"). This mode of consciousness was fading at that point, and mankind was gradually becoming aware of the physical world. We did not yet have the ability to reason, which is why so much effort was devoted to obtaining the advice of the gods.

Although Dionysian practices no longer evoke the atavistic clairvoyance, they do tend to drag our consciousness down, and accentuate our animal nature. (Hypnosis takes us back to the state of consciousness we had during the earliest, so-called "Saturn" incarnation of our solar system.)

So I would say that this information, along with what I just posted here about demons being put into the rock 'n roll recordings, tells me the "pop music" beat opens the doors to commune with demons, albeit most of the time unknowingly and unwittingly.